With standard Godardian insouciance it’s all filmed in contrasty black-and-white, in and close to modern day Paris, but its enduring enchantment is The mix of don’t-treatment larkishness, amiable big lug Eddie Constantine undertaking his rough-person detail, and a profound underlying seriousness drawing cogent connections in between the brutality of fascism https://www.youtube.com/watch?v=Dq3IdUqMXW4&t